Reading closely for evidence
Students dig into novels, articles, and essays and back up their thinking with specific lines from the text. They notice what an author states outright and what is only hinted at.
This is the year reading and writing start to sound like college work. Students dig into harder books and articles, pulling specific lines to back up what they think and noticing what an author hints at without saying outright. Research writing grows up too, with students weighing whether a source is trustworthy before they use it. By spring, they can write a clear, well-organized paper that pulls evidence from several sources and cites it honestly.
Students dig into novels, articles, and essays and back up their thinking with specific lines from the text. They notice what an author states outright and what is only hinted at.
Students look at how writers build meaning through word choice, sentence structure, and tone. They start to see why a paragraph hits the way it does, not just what it says.
Students trace two or more big ideas across a long text and connect them to real life. They also weigh an author's point of view when the stance is more hinted at than spelled out.
Students research a question using several sources, judge which ones are trustworthy, and pull the ideas together. They learn to use a source without leaning on any one too heavily.
Students draft, revise, and polish longer pieces that mix storytelling, explanation, and argument. They focus on a clear opening, smooth transitions, precise wording, and clean grammar.
Students take part in real conversations about issues that matter, listen for the logic in someone else's argument, and respond with evidence. They adjust their own views when the reasoning calls for it.
Reading closely enough to understand what a text says and what it means. Students move past the surface to figure out the author's choices, the deeper ideas, and how the two fit together.
Students read closely and back up every interpretation with specific lines from the text, including moments where the author leaves something deliberately unanswered. The work is explaining not just what the text says, but what it implies and where it stays silent.
Students read closely, then back up every claim with specific lines from the text. That includes explaining what the author states outright, what can only be inferred, and where the text leaves a question open on purpose.
Students figure out what unfamiliar or figurative words mean by reading the surrounding sentences, breaking the word into parts, or looking it up in a reference source.
Students figure out the meaning of unfamiliar or figurative words in a text by using context clues, word parts like prefixes and suffixes, or a dictionary. The focus is on what words actually mean in that specific passage, not just in general.
Students identify two or more themes in a literary work, trace how each one builds across the text, and connect them to something true about people or the world beyond the page.
Students find two main ideas in a nonfiction text, trace how each one builds across the piece, and explain what those ideas say about people and the world.
Students read like writers, studying how an author chose to organize ideas, build a scene, or structure an argument. The goal is to borrow those moves in their own writing.
Students read a passage and figure out when the author says one thing but means another. The work is separating what's printed on the page from what the author actually wants readers to understand.
Students read a nonfiction passage where the author never states their opinion outright, then figure out what the author actually believes by reading between the lines.
Word choice and sentence structure shape what a text means and how it feels to read. Students analyze how an author's specific language decisions create tone and meaning across a piece of writing.
Authors pick words and build sentences the way they do for a reason. Students read closely to explain how specific word choices and sentence structures shape the mood and meaning of a piece of writing.
Students examine how an author's decisions shape a story or argument. They look at why a character, scene, or idea appears when and where it does, and what effect that placement has on the reader.
Students read a nonfiction argument and judge whether the author's reasoning holds up: Is the logic sound? Is the evidence believable and actually relevant to the point being made?
Reading several sources on the same topic, students piece together what the sources agree on, where they differ, and what the differences reveal.
Students read two or more texts on the same topic and weave the ideas together to show where sources agree, conflict, or complicate each other. The goal is a richer picture than any one text gives on its own.
| Standard | Definition | Code |
|---|---|---|
| Approach texts as a reader by comprehending and interpreting texts | Reading closely enough to understand what a text says and what it means. Students move past the surface to figure out the author's choices, the deeper ideas, and how the two fit together. | 11-12.R.1 |
| Draw conclusions, infer | Students read closely and back up every interpretation with specific lines from the text, including moments where the author leaves something deliberately unanswered. The work is explaining not just what the text says, but what it implies and where it stays silent. | 11-12.RL.1.A |
| Draw conclusions, infer | Students read closely, then back up every claim with specific lines from the text. That includes explaining what the author states outright, what can only be inferred, and where the text leaves a question open on purpose. | 11-12.RI.1.A |
| Determine the meaning of words and phrases as they are used in the text… | Students figure out what unfamiliar or figurative words mean by reading the surrounding sentences, breaking the word into parts, or looking it up in a reference source. | 11-12.RL.1.B |
| Determine the meaning of words and phrases as they are used in the text… | Students figure out the meaning of unfamiliar or figurative words in a text by using context clues, word parts like prefixes and suffixes, or a dictionary. The focus is on what words actually mean in that specific passage, not just in general. | 11-12.RI.1.B |
| Using appropriate text, determine two or more themes/central ideas in a text… | Students identify two or more themes in a literary work, trace how each one builds across the text, and connect them to something true about people or the world beyond the page. | 11-12.RL.1.D |
| Using appropriate text, determine two or more themes/central ideas in a text… | Students find two main ideas in a nonfiction text, trace how each one builds across the piece, and explain what those ideas say about people and the world. | 11-12.RI.1.D |
| Approach texts as a writer by analyzing craft and structure | Students read like writers, studying how an author chose to organize ideas, build a scene, or structure an argument. The goal is to borrow those moves in their own writing. | 11-12.R.2 |
| Analyze a case in which recognizing point of view requires distinguishing what… | Students read a passage and figure out when the author says one thing but means another. The work is separating what's printed on the page from what the author actually wants readers to understand. | 11-12.RL.2.B |
| Analyze a text in which the author's point of view is not obvious and requires… | Students read a nonfiction passage where the author never states their opinion outright, then figure out what the author actually believes by reading between the lines. | 11-12.RI.2.B |
| Evaluate how the author's word choices and use of syntax contribute to a text's… | Word choice and sentence structure shape what a text means and how it feels to read. Students analyze how an author's specific language decisions create tone and meaning across a piece of writing. | 11-12.RL.2.C |
| Evaluate how the author's word choices and use of syntax contribute to a text's… | Authors pick words and build sentences the way they do for a reason. Students read closely to explain how specific word choices and sentence structures shape the mood and meaning of a piece of writing. | 11-12.RI.2.C |
| Evaluate the impact of the author’s choices regarding how to develop and relate… | Students examine how an author's decisions shape a story or argument. They look at why a character, scene, or idea appears when and where it does, and what effect that placement has on the reader. | 11-12.RL.2.D |
| Evaluate an author's argument and reasoning for effectiveness, validity, logic… | Students read a nonfiction argument and judge whether the author's reasoning holds up: Is the logic sound? Is the evidence believable and actually relevant to the point being made? | 11-12.RI.2.D |
| Approach texts as a researcher by synthesizing/comparing/ contrasting ideas… | Reading several sources on the same topic, students piece together what the sources agree on, where they differ, and what the differences reveal. | 11-12.RI.3 |
| Synthesize information from two or more texts about similar ideas/ topics to… | Students read two or more texts on the same topic and weave the ideas together to show where sources agree, conflict, or complicate each other. The goal is a richer picture than any one text gives on its own. | 11-12.RI.3.B |
Before writing an argument, students gather evidence the way a researcher would: reading sources carefully, taking notes, and building a case from what they actually find rather than what they already think.
Students pick a question worth answering, then search for real sources to answer it. If the question is too broad or too narrow, students adjust it before writing.
Students find trustworthy sources, judge what each one is good for, and weave the best details into their writing without leaning too hard on any single source or copying it.
Students practice thinking and making choices the way a working writer does: deciding what matters, what to cut, and how each sentence serves the piece.
Students plan, draft, and revise their writing with a clear sense of who they're writing for and why. They pull from storytelling, explanation, and argument techniques learned over the years, blending them when the piece calls for it.
When writing a story or argument, students think about what a reader actually needs to follow along, stay interested, and understand the point.
The opening sets up the topic, every paragraph stays focused on it, and the ending wraps up naturally. Students also choose how to organize and develop the writing so the whole piece does what it set out to do.
Students pick words and arrange sentences deliberately, matching the tone and style to the situation. A legal brief sounds different from a personal essay, and students make those choices on purpose.
Students write with correct grammar, spelling, and punctuation. At this level, that means handling complex sentences and tricky word choices without errors that distract a reader.
Students practice linking paragraphs and ideas with transition words and phrases that show how one thought connects to the next, or that signal a jump forward or backward in time.
| Standard | Definition | Code |
|---|---|---|
| Approach the writing task as a researcher | Before writing an argument, students gather evidence the way a researcher would: reading sources carefully, taking notes, and building a case from what they actually find rather than what they already think. | 11-12.W.1 |
| Conduct research to answer a question or solve a problem | Students pick a question worth answering, then search for real sources to answer it. If the question is too broad or too narrow, students adjust it before writing. | 11-12.W.1.A.a |
| Gather relevant information from multiple authoritative print and digital… | Students find trustworthy sources, judge what each one is good for, and weave the best details into their writing without leaning too hard on any single source or copying it. | 11-12.W.1.A.B |
| Approach the writing task as a writer | Students practice thinking and making choices the way a working writer does: deciding what matters, what to cut, and how each sentence serves the piece. | 11-12.W.2 |
| Follow a writing process to produce clear and coherent writing in which the… | Students plan, draft, and revise their writing with a clear sense of who they're writing for and why. They pull from storytelling, explanation, and argument techniques learned over the years, blending them when the piece calls for it. | 11-12.W.2.A |
| Approach the writing task as a reader | When writing a story or argument, students think about what a reader actually needs to follow along, stay interested, and understand the point. | 11-12.W.3 |
| Organization and content | The opening sets up the topic, every paragraph stays focused on it, and the ending wraps up naturally. Students also choose how to organize and develop the writing so the whole piece does what it set out to do. | 11-12.W.3.A.a |
| Word choice, syntax, and style | Students pick words and arrange sentences deliberately, matching the tone and style to the situation. A legal brief sounds different from a personal essay, and students make those choices on purpose. | 11-12.W.3.A.b |
| Conventions of standard English and usage | Students write with correct grammar, spelling, and punctuation. At this level, that means handling complex sentences and tricky word choices without errors that distract a reader. | 11-12.W.3.A.c |
| Use a variety of appropriate transitions to clarify relationships, connect… | Students practice linking paragraphs and ideas with transition words and phrases that show how one thought connects to the next, or that signal a jump forward or backward in time. | 11-12.W.3.A.d |
Students lead and take part in discussions that stay on topic, build on what others say, and circle back to the goals the group set at the start.
Students listen to someone make an argument and break it down: What is the speaker claiming? Does the reasoning hold up? Is the evidence solid?
Students listen to different viewpoints on an issue, then update or defend their own position based on what they hear. They pull together the strongest points from each side and explain where they agree, disagree, or changed their mind.
| Standard | Definition | Code |
|---|---|---|
| Collaborate | Students lead and take part in discussions that stay on topic, build on what others say, and circle back to the goals the group set at the start. | 11-12.SL.1 |
| Delineate a speaker’s argument and claims evaluating the speaker’s point of… | Students listen to someone make an argument and break it down: What is the speaker claiming? Does the reasoning hold up? Is the evidence solid? | 11-12.SL.1.B |
| Respond thoughtfully to diverse perspectives including those presented in… | Students listen to different viewpoints on an issue, then update or defend their own position based on what they hear. They pull together the strongest points from each side and explain where they agree, disagree, or changed their mind. | 11-12.SL.1.C |
Alternate assessment for eligible students with significant cognitive disabilities, covering the state-tested grade-level and end-of-course subjects.
Students read tough books, articles, speeches, and essays, then back up what they say with specific lines from the text. They also figure out what an author hints at but never says outright, and weigh how word choice and sentence style shape the meaning.
Ask students to point to the line in the book or article that made them think something. A five-minute conversation about what an author is really getting at, and why they chose those words, does more than quizzing for facts.
Expect longer pieces that pull from several sources, with a clear focus from the first paragraph to the last. Students should pick precise words, vary sentence length on purpose, and use transitions that show how ideas connect.
Students choose their own question, hunt down sources, and decide which ones are credible enough to use. They are expected to weave information from several sources together in their own voice, not lean on one article or copy quotes back to back.
Start with close reading and evidence routines that carry into every unit. Build the research paper in the middle of the year so students have time to revise, and save synthesis across multiple texts for later, once they can handle one complex text well.
Synthesis across sources and analyzing an author's implied point of view tend to lag behind. Many students can summarize and quote, but struggle to compare what two writers say about the same issue without flattening the differences.
Ask the student to say their main point out loud in one sentence. If they cannot, the draft is not ready to revise yet. Once the point is clear, ask which line of evidence is the strongest and which one might be cut.
By spring, students should hold their own in a discussion about a complex text, cite specific evidence without being prompted, and produce a research-based paper that sounds like them. They should also evaluate a speaker's argument and respond to views that differ from their own.